"don't get it twisted to mean i'm railing against the bill, all taxes 'force' spending in some form or another. i'm just saying that wherever [the tax/subsidy] break-even point lies is where the equity/efficiency trade-off begins, producing access for those below at the expense of coercion for those above." -a crude reading of john roberts's opinion within my own opinion.
also, did anyone else notice the economist copied my headline?
Thursday, June 28, 2012
object permanence.
something you may not know about me: some things you may never know about me.
my mortality is following me, making fun of me, laughing every time i trip on the cracks.
i've been here for years.
years.
yet i'm too above myself to care. i'm a god in a man's body; resigned to taking it all in as entertainment; to pushing every boundary just to see what happens, with a destructive streak that can only come from a profound acceptance of mortality's humor.
...
every once in awhile, you see yourself as all of yourself, typically as a tralfamadorian in transition. it's in those moments that you're still yourself (how am i not myself?) but you cease to identify with yourself, at least in-so-far as you can no longer be upset by upsets or offended by the unjust assumptions that go along with going anywhere.
having nothing to prove can be a major disadvantage, especially when everyone expects you to prove yourself.
maybe now and then little clues give you little clues. you can catch a glimpse of what was a formative experience for all of us, not because we wanted it to be but because it had to be, subtly referenced in every projection, out-of-context and out of reach.
maybe i'm just too damn good at being detached.
my mortality is following me, making fun of me, laughing every time i trip on the cracks.
i've been here for years.
years.
yet i'm too above myself to care. i'm a god in a man's body; resigned to taking it all in as entertainment; to pushing every boundary just to see what happens, with a destructive streak that can only come from a profound acceptance of mortality's humor.
...
every once in awhile, you see yourself as all of yourself, typically as a tralfamadorian in transition. it's in those moments that you're still yourself (how am i not myself?) but you cease to identify with yourself, at least in-so-far as you can no longer be upset by upsets or offended by the unjust assumptions that go along with going anywhere.
having nothing to prove can be a major disadvantage, especially when everyone expects you to prove yourself.
maybe now and then little clues give you little clues. you can catch a glimpse of what was a formative experience for all of us, not because we wanted it to be but because it had to be, subtly referenced in every projection, out-of-context and out of reach.
maybe i'm just too damn good at being detached.
Thursday, May 31, 2012
yawn.
"traveling is a brutality. it forces you to trust strangers and to lose sight of all that familiar comfort of home and friends. you are constantly off balance. nothing is yours except the essential things: air, sleep, dreams, sea, the sky - all things tending towards the eternal or what we imagine of it." -cesare pavese
Wednesday, April 18, 2012
an economic collapse.
i keep this distance
to dwell this close
so nearly home
my home's home changes
but here i'm constant
four walls that melt and move
but to a moveable feast of flesh
a reminder;
alone in physical integrity
maybe delusionally transcendent
so long as it does not touch me
and i am yet untouched
front page news or your lost limb
in truth, calamity's a sideshow
but if we pretend
and we all feign hope
what am i to you?
to dwell this close
so nearly home
my home's home changes
but here i'm constant
four walls that melt and move
but to a moveable feast of flesh
a reminder;
alone in physical integrity
maybe delusionally transcendent
so long as it does not touch me
and i am yet untouched
front page news or your lost limb
in truth, calamity's a sideshow
but if we pretend
and we all feign hope
what am i to you?
Friday, April 13, 2012
on the evolution of products and production.
i know i've been on this rant for awhile now, but here's a tidbit: producers are the new musical artists, and all your beloved pop artists are just curators (some better, some worse). if you're into a song, forget the artist. find out who produced it, and then go find more. i've been doing it on the reg, and so far so fancy.
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